Der hypnotische Todestanz

Posted on Februar 13, 2016


The Hypnotic Dance of Death

The culture of postmodernism has achieved what even the Communist propaganda machine failed to do

Alexander Maistrovoy

(…)  The wider Pandora’s box is opened, the more questions arise. What about politicians? Have any of them, left or right, called it the way they saw it? No. Sexual harassment is not automatically binding to migration and immigration, Swedish Prime Minister Stefan Löfven said in Davos. Sure! According to a report by the Swedish National Council for Crime Prevention (BRÅ) 20 years before, in 1996, the highest rates of rape convictions were of individuals born in North Africa and Iraq. They were convicted of rape at rates of 17.5 times higher than the native Swedish rate. (…)

Why are western politicians paralyzed by fear? Why do only leaders from Eastern Europe dare to tell the truth, such as Milos Zeman and Bohuslav Sobotka, the President and Prime Minister of the Czech Republic; Slovakian Prime Minister Robert Fico; and the Prime Minister of Hungary, Viktor Orban? The issue is not about right or left ideology. Zeman, Sobotka and Fico are Socialists. The issue is about a healthy, normal perception of the world based on genuine European values.

Why did it happen that they were the only leaders who could give both a courageous and adequate response to the reality of this situation? These small countries, squeezed between millstones of formerly great empires and having survived Soviet despotism, now know the value of freedom and dignity. They were vaccinated against universalist ideologies. Yet it is curious that the Czech Republic and Slovakia are the only countries that accept genuine refugees facing a terrible fate – Christians and Yazidis from Iraq – but not mature and aggressive young men heading to Europe for an easy life and ”white meat”.

What has happened to the world when men, women, politicians, and the elite betray their daughters and children in order to please newcomers with their baser instincts and a cult of male power?

The answer is sad: the culture of postmodernism has managed to do what couldn’t be achieved even by the Communist propaganda machine. It has degraded the instinct of self-preservation, a natural reaction embedded in humans on a genetic level, the ability to feel compassion and protect a victim – a woman, a girl, a child. An abstract ideology has suppressed the mind and senses.

I left the USSR as a hater of Soviet totalitarianism. Now I realize that the cultural totalitarianism of political correctness has turned out to be much more poisonous.

The Soviet regime dictated harsh rules and established censorship. However, people remained normal human beings. They laughed at authorities, composed jokes about Brezhnev, made satirical films in spite of the censorship, and learned to read newspapers between the lines.

Cultural totalitarianism succeeded much more. It affirmed a relentless self-censorship, turned people into sterile zombies, and exterminated basic senses of responsibility and dignity. It changed the very nature of man, and indeed, it was a unique experiment on their own people.

There is a small carnivorous animal in Siberia – a stoat. It hunts rabbits and hares, which are significantly heavier, faster and stronger than the stoat itself. It doesn’ t creep, doesn’t sit in ambush and doesn’t catch its prey on the run. It performs a hypnotic dance of death in front of it – with wriggles, acrobatic leaps and somersaults. The stoat dazzles the prey and, gradually approaching it, then grabs its throat. The rabbit dies from shock. Why does the prey allow the stoat to dazzle and kill it without resisting? Biologists are unable to solve the riddle of the stoat’s hypnotic dance.

Western elites have foredoomed their own people by means of somersaults and acrobatic tricks, and doomed them to the same fate of the unfortunate rabbit. The hypnotic dance of death is gaining momentum.   > Volltext

About Alexander Maistrovoy

Alexander Maistrovoy is the author of Agony of Hercules or a Farewell to Democracy (Notes of a Stranger).



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